- Software name: appdown
- Software type: Microsoft Framwork
- size: 524MB
"We must get out of this," Cairness started to say, urging his little bronco; but even as he spoke there was a murmur, a rustle, a hissing roar, and the rain fell in one solid sheet, blinding them, beating them down."Right over the hill, did you say?" said the Lieutenant, forgetting for the moment the horse. "Attention, there, boys. Look out for the rebels. Advance carbinesForwardtrot! I'll come back directly and take another look at that horse."
Then she lit a lamp and took off her blood-stained gown. There was blood, too, on the knife and its case. She cleaned them as best she could and looked into the chamber of her revolver with a contemplative smile on the lips that less than half an hour before had been curled back from her sharp teeth like those of a fighting wolf. She wondered how badly the buck had been hurt.It struck even through Landor's pain-blurred brain that it was odd. But the few faculties he could command still were all engaged in keeping himself in the saddle until he could reach his own house, where Ellton and Felipa were waiting to get him to his room.
Painting, like architecture, was at a very low ebb during this period, with one or two brilliant exceptions. Foreign artists were in demand, and there was no native talent, except that of Thornhill and Hogarth, which could claim to be unjustly overlooked in that preference. Sir Peter Lely was still living, but Sir Godfrey Kneller, another foreigner, was already taking his place. Kneller was a German, born at Lübeck, and educated under the best Flemish masters of the day. As he had chosen portrait-painting as his department, he hastened over to England after a visit to Rome and Venice, as the most profitable field for his practice, and being introduced to Charles II. by the Duke of Monmouth, he became at once the fashion. Kneller had talents of the highest order, and, had not his passion for money-making been still greater, he would have taken rank with the great masters; but, having painted a few truly fine pictures, he relied on them to secure his fame, and commenced an actual manufacture of portraits for the accumulation of money. Like Rubens, he sketched out the main figure, and painted the head and face, leaving his pupils to fill in all the rest. He worked with wonderful rapidity, and had figures often prepared beforehand, on which he fitted heads as they were commissioned. Sir John Medina, a Fleming, was the chief manufacturer of ready-made figures and postures for him, the rest filled in the draperies and backgrounds. Kneller had a bold, free, and vigorous hand, painting with wonderful rapidity, and much of the grace of Vandyck, but only a few of his works show what he was capable of. The beauties of the Court of William and Mary, which may be seen side by side with those of the Court of Charles II. by Lely at Hampton Court, are far inferior to Lely's.